Forget the flowers! Mom wants a new designer handbag for Mother’s Day

What mom really wants for Mother’s Day is a new designer handbag so eFashionHouse.com is making shopping for mom easy with free shipping.

Sky Valley, CA (PRWEB), April 24, 2008: Gone are the days where shopping for mom meant a pretty floral arrangement or a box of her favorite chocolate. Today’s moms are more interested in trendy or classic designer handbags, so eFashionHouse.com is making shopping for mom a little easier with free shipping for Mother’s Day (May 11).

Named Best of the Web by People StyleWatch for below retail priced designer handbags and recognized by About.com as the top of three online retailers of off-priced Chanel, eFashionHouse.com has all the designers and styles moms want. From handbag darling Elaine Turner, to couture legend Chanel, to American staple Coach, eFashionHouse.com offers the latest in designer handbags for all budgets.

"It’s not only fashionistas that want the latest designer handbag all the time, today’s mom is very hip and wants to carry a nice leather handbag as well" said Anna Miller, eFashionHouse Owner. "To meet the needs of our clients, we now carry handbags that are age-friendly…meaning most of the designers we carry cater to women of all ages who simply love fashion."

Not only does eFashionHouse.com, and its five fashion ecommerce stores (BrandsBoutique, LuxuryVintage, DesignersLA, ItalysOutlet and ValueBags), offer a wide variety of authentic designer handbags but they guarantee the lowest prices online for Tano, Melie Bianco, Murval, Elaine Turner and Pietro Alessandro. Plus the site offers a layaway plan that allows its clients to pay over time and still get the bag of their dreams.

If you still don’t know what to get mom, here’s a couple of hot selling bags that are sure to make her smile (and maybe even giggle with glee):

• COACH Hamptons Cream Large Tote – 26% off
• ELAINE TURNER Andie Platinum Distressed Leather Satchel – 24% off
• Tano Bauhaus Leather Tote – 21% off
• Gucci Brit Medium Tote in Brown – 26% off
• Yves Saint Laurent Downtown Tote in Cream – 21% off
• Vintage Chanel Quilted Lambskin Shoulder Bag – only $499

In addition to huge savings on brand new, 100% authentic designer handbags, shoppers will receive free ground shipping from April 24th thru May 2nd on purchase over $100 with coupon code MD08. Plus there is no sales tax on all purchases worldwide.

About eFashionHouse.com
Anna Miller is the President of i-GlobalMall.com, Inc. She operates the website http://www.efashionhouse.com/ and sells high-end authentic designer handbags and accessories at off-retail prices. EFashionHouse.com was named Best of the Web by People Magazine StyleWatch for Discount Designer Handbags and Purses. eFashionHouse.com should not be confused with any other website selling a similar product or using a similar name. EfashionHouse.com is the home of five fashion ecommerce stores: BrandsBoutique, LuxuryVintage, DesignersLA, ItalysOutlet, and ValueBags. Anna is considered an Internet Pioneer & Ecommerce Entrepreneur. She’s been reselling Designer Merchandise online since the early 90s. eFashionHouse.com has an extensive Press Page and a Fashion Blog Network. Visit the site for more details.

Online Shopping Brokers: CHANEL designer handbags

Gabrielle Coco Chanel (1883–1971)
The House of Chanel
from MetMuseum Timeline of Art History

Early Success

Among the key designers who made a bold and lasting impression on women's fashion in the twentieth century, Gabrielle "Coco" Chanel (1883–1971) deserves special recognition. Born in Saumur, in the Loire Valley of France, Chanel survived an impoverished childhood and strict convent education. The difficulties of her early life inspired her to pursue a radically different lifestyle, first on the stage, where she acquired the nickname "Coco," and then as a milliner.

With the help of one of the male admirers who would provide key financial assistance and social connections over the course of her career, Chanel opened her first shop in Paris in 1913, followed by another in the resort town of Deauville. Selling hats and a limited line of garments, Chanel's shops developed a dedicated clientele who quickly made her practical sportswear a great success. Much of Chanel's clothing was made of jersey, a choice of fabric both unusual and inspired. Until the designer began to work with it, jersey was more commonly used for men's underwear. With her financial situation precarious in the early years of her design career, Chanel purchased jersey primarily for its low cost. The qualities of the fabric, however, ensured that the designer would continue to use it long after her business became profitable. The fabric draped well and suited Chanel's designs, which were simple, practical, and often inspired by men's wear, especially the uniforms prevalent when World War I broke out in 1914.

As her fashion-conscious customers fled Paris at the beginning of the war, Chanel's boutiques in Deauville and Biarritz flourished. Chanel's uncluttered styles, with their boxy lines and shortened skirts, allowed women to leave their corsets behind and freed them for the practical activities made necessary by the war. Elements of these early designs became hallmarks of the Chanel look (1975.7; 1984.28a-c; 1976.29.7) Chanel took great pride as a woman in designing for other women, and by 1919, at the age of thirty-two, she enjoyed huge success, with clients around the world. Soon after, she relocated her couture house in Paris to 31 Rue Cambon, which remains the center of operations for the House of Chanel today.

A Style Icon

Chanel's own lifestyle fueled her ideas of how modern women everywhere should look, act, and dress. Her own slim boyish figure and cropped hair became an ideal, as did her tanned skin, active lifestyle, and financial independence. Throughout her career, Chanel succeeded in packaging and marketing her own personal attitudes and style, making her a key arbiter of women's taste throughout the twentieth century.

The designer's passionate interests inspired her fashions. Her apartment and her clothing followed her favorite color palette, shades of beige, black, and white (1978.165.16a,b; 1984.30). Elements from her art collection and theatrical interests likewise provided themes for her collections (C.I.65.47.2a,b). When Chanel attended a masquerade ball dressed as a figure from a Watteau painting, she later reworked the costume into a woman's suit (C.I.54.16.1a,b). She hired Russian émigrés from her circle of friends to work in her embroidery workshop, creating designs to her exacting specifications. Known for a relentless drive for perfection, whether in design or fit, and strong opinions in all matters of taste, Chanel backed her clothing with the authority of her personal conviction.

Chanel continued to create successful looks for women through the 1920s and '30s. In 1926, American Vogue likened Chanel's "little black dress" to the Ford, alluding to its almost universal popularity as a fashion basic. In fact, the concept of the dress suitable for day and evening did become both a staple for Chanel throughout subsequent seasons and a classic piece of twentieth-century women's wear (1984.28a-c). The designer also used colorful feminine printed chiffons in her daywear designs (1984.31a-c). Evening ensembles followed the long slim line for which the designer was known, but also incorporated tulle, lace, and decorative elements that soften and romanticize the overall look of the garment (1978.165.16a,b; C.I.46.4.7a-c).

The Closure and the Comeback

Despite her great success, Chanel closed the doors of her salon in 1939, when France declared war on Germany. Other couturiers left the country, but Chanel endured the war in Paris, her future uncertain. Following the end of the hostilities and resolution of some personal difficulties, Chanel found she could not idly stand by and observe the early success of Christian Dior, whose "New Look" prevailed in the postwar period. While many admired Dior's celebration of femininity, with full skirts and nipped-in waists, Chanel felt his designs were neither modern nor suitable for the liberated women who had survived another war by taking on active roles in society. Just as she had following World War I, Chanel set out to rescue and reinvigorate women's fashion.

The designer faced challenges in this endeavor: securing finances, assembling a new staff, seeking out new fabrics, competing at age seventy against a new generation of designers. Chanel's comeback collection of couture debuted in 1953 (1976.370.2a-c). Although it was not a critical success, the designer persevered. Within three seasons, Chanel was enjoying newfound respect. She updated her classic looks, reworking the classic tweed designs until wealthy women and celebrities returned to the showroom in droves. The Chanel suit became a status symbol for a new generation, made of solid or tweed fabric, with its slim skirt and collarless jacket trimmed in braid, gold buttons, patch pockets, and—sewn into the hem—a gold-colored chain ensuring it hung properly from the shoulders. Chanel also reintroduced her handbags, jewelry, and shoes with great success in subsequent seasons.

The Legacy Continues

Following Chanel's death in 1971, several of her assistants designed the couture and ready-to-wear lines until Karl Lagerfeld (born 1938) took over the haute couture design in 1983 and ready-to-wear in 1984. Lagerfeld, like Chanel at the time of her comeback, looked to past designs for the secret to his success. His designs incorporated signature Chanel details, tweed fabrics, colors, gold chains, quilt-stitched leather, and the linked "CC" logo. In later collections, Lagerfeld became more irreverent, deconstructing some of the ladylike polish of Chanel's 1960s looks. Playing with the fact that Chanel's favorite jersey fabric had been used for men's underwear at the turn of the twentieth century, Lagerfeld even incorporated men's T-shirts and briefs into his designs (1993.104.2a-c). Nonetheless, Lagerfeld's ability to continuously mine the Chanel archive for inspiration testifies to the importance of Gabrielle Chanel's contributions to women's fashion in the twentieth century.